Shakespeare has once again given an example of how women are controlled. In the beginning, she is in a healthy state of mind, in love with Hamlet, yet controlled by her father. Character + scene Quote Analysis Horatio 1.1.68 “this bodes some strange eruption to our state” Horatio says this after seeing the ghost Foreshadows unnatural disturbance and corruption to come Hamlet 1.2.76 ‘seems’, madam – nay it is” Reveals his grief His grief and mistrust of others as he feels he’s the only one grieving the… I explore the ways in which Ophelia was objectified by her brother, father, and Hamlet. action shows how controlled Ophelia is by her father, being harnessed with no chance to run free. William Shakespeare's Ophelia, from his tragedy play Hamlet, has predominately been perceived and depicted as an objectified female with very little purpose other than to support Hamlet's role as protagonist. He jumps into Ophelia's grave, and fights with Laertes in her grave. Hamlet seems to disdain women in general. — Polonius has convinced the king to eavesdrop upon Ophelia's next conversation with Hamlet, so they advise Ophelia to read a book to give her an excuse for being alone until Hamlet appears. 1 Story 1.1 From Humble Beginnings 1.2 You Say You Want A Revolution? Ophelia is taken aback by the invasive question, but Hamlet continues asking Ophelia if she is “honest and fair.” On the surface, there does not at first appear to be anything abnormal or dysfunctional in Ophelia's relationships with her father and her brother. It's very un-childlike. Character of Ophelia in Hamlet In Shakespeare's play, Hamlet, the character Ophelia plays an important role in the elaboration of the plot. By taking about ‘loosing’ Ophelia, Polonius paradoxically concedes that … Hamlet And Ophelia Hamlet And Ophelia The character Ophelia in William Shakespeares play Hamlet plays a very interesting and important role in the elaboration of the plot. •Speaking about Hamlet possibly being mad because he's forbidden from Ophelia but before he reveals his reasons, he says that he'll be brief (ironic cause he's one of the most long-winded speakers) "O, what a rogue and peasant slave am I" (line 577, Act 2, Scene 2) Then Polonius reflects about how often people who appear pious (innocently reading a book) are providing a cover for their true intentions. Laertes is the son of Polonius and brother of Ophelia. However there is the added connotation of ‘loosing’ an animal for breeding purposes. Get the latest breaking news, sports, entertainment and obituaries in Augusta, GA from The Augusta Chronicle. Laertes jumps into Ophelia’s grave – after preoccupation with her sexuality, cannot ignore the incestuous tones “Hercules” “Hyperion” Hamlet idealises his father – but ghost showed no interest for son’s well being “wringing of her hands” G’s innocence – anxious and … But Ophelia says, “Nay, tis’ twice two months, my lord”,(3.2.126). Part of the difficulty is that Shakespeare wrote his female roles for men, and there were always limitations on them that restricted and defined the characterizations devised. So a lot of times, when you put kids in that situation, you hope they have a better support system outside of what they're doing to bring them back to reality at the end of … In Act 4, sc. Laertes madness was very influential by others, and had no real control over the mental state he was developing. Suggests that Polonius looks on Ophelia as being in his keeping more like a dog than a daughter. This essay will examine Ophelia's downward spiral from a chaste maiden to nervous wreck. Ophelia insists that Hamlet gave her many gifts and sweetly-composed letters—but says that the joy they once brought her is gone, and she doesn’t want them anymore. Ophelia enters, singing a song about love. When Hamlet’s mother asks him why he still seems so upset about his father’s death, he replies that he doesn’t just “seem” to be in mourning, he has feelings within himself that surpass what other people can see from the outside. At times Ophelia appears to be little more than a pawn controlled by the male figures in the text who use her in an attempt to outwit one another. The best quotes from Hamlet by William Shakespeare - organized by theme, including book location and character - with an explanation to help you understand! “Throug... Role Of Women In Hamlet . Hamlet refers Ophelia’s weakness as saying her “frail” in the play: “The fair Ophelia—Nymph, in thy orisons/ Be all my sins re membered” (III.i.88-8 9). Ophelia in another aspect has also been a major victim of Hamlet’s she again has been dominated and controlled by Hamlet and his madness. Both greed and power, if not controlled, can lead to destruction. Ophelia’s song is not an expression of one event or one feeling – it is the verbalization of grief over Polonius and Hamlet and a scrutiny of Gertrude’s portrayal of love. While she is undoubtedly a lesser character compared to Gertrude, Claudius, or Hamlet, her eventual madness and demise provides an interesting discussion for Shakespeare’s critics. Similarly, Ophelia is insecure and emotional partly in due to her young age (picture teenage girl) and partly in due to a society that disables her from being independent and strong. The king agrees with Polonius to hide behind an arras, while Ophelia confronts Hamlet. When Ophelia's father, Polonius, is killed by Hamlet in Act 3, sc. Hamlet asks Ophelia if she’s being “honest,” or pure. Ophelia: I do not know, my lord, what I should think. Polonius: Marry, I will teach you (1.3.103-05) Ophelia lacks reason and rational facilities that would enable her to think for herself; instead, she is portrayed as a blank slate where the men in her life can write the stipulations of her identity. Horatio enters, and Hamlet praises him for being so reserved and controlled, saying, ''Give me that man that is not passion's slave, and I will wear him in my heart's core…as I do thee.'' Ophelia was force to hold back who she was as she play the role of a child. In it, Ophelia laments about patriarchal society and the way she had been controlled and used. Gertrude’s husband, King Hamlet died, and then she went on to marry Claudius, Hamlet’s brother. Gertrude politely asks Ophelia what her song means, but Ophelia urges the queen to listen as she continues singing about a man who is “dead and gone.” Ophelia continues singing on and on about a man shrouded, entombed, and covered in “sweet flowers ” even as Gertrude asks her to stop. The marriage of Claudius and Gertrude survives many challenges: Young Fortinbras’ threat of invasion, Hamlet’s pretend madness, Polonius’ murder, Laertes’ castle-storming rebellion, and his sister Ophelia’s mental breakdown and drowning.. Poor Ophelia, she lost her lover, her father, her mind, and, posthumously, her brother. He professes I loved Ophelia. Ophelia should be of the age where she can make her own conscious decisions about who she chooses to love. The most notable aspect of the speech is Claudius’s repetition of the word “To” at the beginning of lines 87,91 and 102. 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